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Owner's Manual

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  • Language: English
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Description of ONKYO HTR510 Owner's Manual

Complete owner's manual in digital format. The manual will be available for download as PDF file after You purchase it.

Owner's Manual ( sometimes referred to as User's Guide or User's Manual ) contains information on how to use Your device. After placing order we'll send You download instructions on Your email address.

The manual is available in languages: English

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Text excerpt from page 35 (click to view)
Using the Listening ModesâContinued
The listening modes are explained below. Basic Modes
Direct: The selected input source is fed directly to the power-

⢠When listening to DTS material, using the pause, fast forward, or reverse functions on your DTS-compatible player may produce a short audible noise. This is normal. ⢠When DTS material ends and the DTS signal transmission stops, the HT-R510 remains in DTS listening mode, and the DTS indicator remains on. This is to prevent noise when you use the pause, fast forward, or reverse functions on your DTS-compatible player. If you switch your player from DTS to PCM, because the HT-R510 does not switch formats immediately, you may not hear any sound, in which case you should stop your player for about 3 seconds, and then restart playback. ⢠With some CD and LD players, you wonât be able to playback DTS material properly even though your player is connected to a digital input on the HT-R510. This is usually because the digital signal has been processed (e.g., output level, sampling rate, or frequency response changed) and the HT-R510 cannot recognize the signal as a genuine DTS signal. In such cases, you may hear noise. ⢠The HT-R510âs TAPE OUT and VIDEO 1 OUT connectors output only analog audio, so donât try and record a DTS CD or LD from these outputs because all youâll get is noise. DTS-ES: DTS-ES decoding with up to 6.1 channels. Use this mode with DVDs, LDs, or CDs that bear the DTS-ES logo. The HT-R510 supports both DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1. Discrete 6.1 is for use with material encoded in the DTS 6.1 format. With an additional surroundback channel, each 6.1 channel is digitally recorded for a realistic sense of movement and space. You can enjoy this format with CDs, DVDs, or LDs that bear the DTS-ES logo. Matrix 6.1 allows you to play DTS 5.1 material on a 6.1 channel system. Since DTS 5.1 material includes information about the surround-back channel, channels can be reconstructed for playback on a 6.1 channel system. You can enjoy this format with CDs, DVDs, or LDs that bear the DTS-ES or DTS logo. DSP Modes
Orchestra: Suitable for classical or operatic music. The cen-

amp stages and through to the front left and right speakers with minimal processing. Use this mode when watching an old movie that has a mono soundtrack, when listening to either the left or right channel of multilingual material, or when playing a DVD or other source that has multiplexed audio, such as a karaoke DVD. Stereo: The selected input source is processed as a stereo signal and output by the front left and right speakers and subwoofer. Use this mode when listening to stereo sources. Surround Modes
Pro Logic II Movie: Dolby Pro Logic II

Movie mode decoding for 5.1 surround. Use this mode with DVDs and videos that bear the Dolby Surround logo or TV programs that feature Dolby Surround. You can also use this mode with stereo movies or TV programs and the HT-R510 will create a 5.1 surround mix. Pro Logic II Music: Dolby Pro Logic II Music mode. Use this mode to add 5.1 surround to stereo sources such as music CDs. DTS Neo:6 Cinema: DTS Neo:6 Cinema mode. This mode is intended for use with movies, providing surround sound with a realistic sense of movement. Use this mode to add 6.1 surround to stereo movies, videos, and TV programs. DTS Neo:6 Music: DTS Neo:6 Music mode. This mode uses the surround channels to create a natural sound ï¬eld that cannot be produced with conventional stereo. Even with twochannel music, a natural sound ï¬eld can be produced from the surround channels. Use this mode to add 6.1 surround to stereo sources such as music CDs. Dolby Digital: Dolby Digital decoding with up to 5.1 channels. With this format you can experience the same superb sound that you get at a movie theater or concert hall. Use this mode with DVDs that bear the Dolby Digital logo.
Dolby Digital EX: Dolby Digital EX decoding

with up to 6.1 channels. With an added surround-back channel, this 6.1 channel format offers a heightened sense of space, for added realism with moving sounds such as those that rotate 360 degrees or pass overhead. Dolby Digital EX material can also be played on conventional 5.1 channel systems, in which case the surround-back channel sound is divided between the left and right surround channels. Use this mode with DVDs that have a 5.1-channel soundtrack and bear the Dolby Digital logo. DTS: DTS decoding with up to 5.1 channels. This digital surround format offers a surround sound experience with exceptional ï¬delity. Itâs compressed digital audio data, with six completely separate channels (5.1), and the ability to handle large amounts of audio data while remaining faithful to the original. DTS provides very high-quality sound. You'll need a DTS compatible DVD player in order to enjoy DTS material. Use this mode with DVDs, LDs, or CDs that bear the DTS logo.

ter speaker is turned off and the surround channels are emphasized in order to widen the stereo image. In addition, it simulates the natural reverberation of a large hall. Unplugged: Suitable for acoustic instrument sounds, vocals, and jazz music. By emphasizing the front stereo image, it simulates the stage-front experience. Studio-Mix: Suitable for rock and pop music. Listening to music in this mode creates a lively soundï¬eld with a powerful acoustic image, like being at a club or rock concert. TV Logic: Adds realistic acoustics to TV programs produced in a TV studio. In addition, it adds surround effects to the entire sound and adds clarity to voices.
All Ch St (All Channel Stereo): Ideal for background

music. The front, surround, and surround-back channels create a stereo image that ï¬lls the entire listening area.


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